People have written a lot of touchy-feely pieces on this subject but I thought I’d get right to the heart of the matter
DAVID LYNCH, WOMEN, OCTOBER 31ST 2014, SACRED BONES RECORDS
1. Pitter Patter (ft. Beth Gibbons)
2. Walkie Talkie (ft. Soap&Skin)
3. Billy’s Mad At Sandy (ft. Alison Goldfrapp)
4. Red Light At Night (ft. Natasha Khan)
5. Dead End Highway (ft. Hope Sandoval)
6. Happy Holiday (ft. Cat Power)
7. Clouds Gathered in the Sky (ft. Lykke Li)
8. Frankie (ft. Anna Calvi)
9. Peach Cobbler (ft. Karen O)
10. The Bird, It Sang A Song (ft. Emiliana Torrini)
11. Falling In Love (ft. Alison Mosshart)
12. Doped (ft. Karin Dreijer Andersson)
L’Illusionniste / The Illusionist
Film d’animation / Animation feature film
Sylvain Chomet (2010)
Written by Sylvain Chomet and Jacques Tati
Jacques Tati originally wrote the script for The Illusionist. It was a love letter from a father to his first daughter, but never got produced. Sylvain Chomet, director of The Triplets of Belleville / Les Triplettes de Belleville, adapted the script and once again used his own original animated style.
Artist Adam Lupton gaze explores psychological and sociological struggles in modern society. Painting in oil, blurring lines between realism and expressionism helps Lupton probe the internal and external dialogue faced in his multi-directional narratives.
The reason why the room was pink was because on black and white film, hues of red become dark shades of black. Pink is the perfect balance to give it that dark creepy grey.
A related fun fact: while old black and white film was under-sensitive to reds, it was correspondingly over-sensitive to greens. Actors whose characters were meant to have unnaturally pale complexions - like Morticia Addams - would often take advantage of this by wearing makeup with a green base tint in order to make their faces “pop”. This is where the modern trope of cartoon vampires having green skin comes from.
These are some fun fucking facts