People have written a lot of touchy-feely pieces on this subject but I thought I’d get right to the heart of the matter
Artist Adam Lupton gaze explores psychological and sociological struggles in modern society. Painting in oil, blurring lines between realism and expressionism helps Lupton probe the internal and external dialogue faced in his multi-directional narratives.
The reason why the room was pink was because on black and white film, hues of red become dark shades of black. Pink is the perfect balance to give it that dark creepy grey.
A related fun fact: while old black and white film was under-sensitive to reds, it was correspondingly over-sensitive to greens. Actors whose characters were meant to have unnaturally pale complexions - like Morticia Addams - would often take advantage of this by wearing makeup with a green base tint in order to make their faces “pop”. This is where the modern trope of cartoon vampires having green skin comes from.
These are some fun fucking facts
Eduardo Mata Icaza born in Costa Rica in 1984 is an artist graduated from the School of Fine Arts in the University of Costa Rica. He currently lives and workes in Marseille, France. Icaza’s paintings mixes realistic, anatomical images of the human body with abstract shapes lines and looks at ideas of humanity and existence has been shown in both solo and group exhibitions.
When fire tore through Steve Salo’s studio in Torquay he was devastated. Inside the artist’s studio were approximately 70 of his paintings, and 80 drawings and sketchbooks, some of which he had treasured since a child. Every single one was destroyed. All of his art materials and tools were obliterated along with reference books and a cherished drawing case from his childhood. The blaze consumed everything, a lifetime of irreplaceable work reduced to ashes.
“I find it quite hard to talk about it now. The best thing for me is to put it behind me and not ponder over it,” Steve says, clearly still coming to terms with the emotional impact of the disaster that occurred nearly a year ago.
After the fire Steve says it felt like time stood still, “almost like a surreal dream”. He was overcome with confusion, disbelief and grief. For the next couple of months Steve had no desire to paint, unable to motivate himself to even pick up a paintbrush. Eventually, however, the urge to create returned and he began to paint, not with brushes but with his fingers. It was an important step in the healing process.